{"id":7413,"date":"2024-02-22T17:42:00","date_gmt":"2024-02-22T16:42:00","guid":{"rendered":"https:\/\/www.matyasnovak.eu\/?post_type=aktuality&p=7413"},"modified":"2024-11-23T18:38:03","modified_gmt":"2024-11-23T17:38:03","slug":"mladi-umelci-spolu-s-komorni-filharmonii-pardubice-vyvolali-uprimne-ovace","status":"publish","type":"aktuality","link":"https:\/\/www.matyasnovak.eu\/en\/aktuality\/mladi-umelci-spolu-s-komorni-filharmonii-pardubice-vyvolali-uprimne-ovace\/","title":{"rendered":"Mlad\u00ed um\u011blci spolu s\u00a0Komorn\u00ed filharmoni\u00ed Pardubice vyvolali up\u0159\u00edmn\u00e9 ovace"},"content":{"rendered":"

O v\u0161ech t\u0159ech je\u0161t\u011b ur\u010dit\u011b hodn\u011b usly\u0161\u00edme. Budeme chodit na jejich koncerty a poslouchat hudbu, kterou nahr\u00e1li. M\u016f\u017eeme tak \u010dinit ji\u017e dnes a p\u0159ipom\u00ednat si jejich dosavadn\u00ed \u00fasp\u011bchy, p\u0159esto hlavn\u00edm osobn\u00edm \u00fakolem ka\u017ed\u00e9ho z nich je dokon\u010dit studia na pra\u017esk\u00e9 Hudebn\u00ed a tane\u010dn\u00ed fakult\u011b Akademie m\u00fazick\u00fdch um\u011bn\u00ed. Pr\u00e1v\u011b ve spolupr\u00e1ci s n\u00ed uspo\u0159\u00e1dala ve st\u0159edu 21. \u00fanora koncert Komorn\u00ed filharmonie Pardubice v domovsk\u00e9 Sukov\u011b s\u00edni.<\/strong><\/p>\n\n\n\n

Nestalo se tak poprv\u00e9. Pardubick\u00fd orchestr doprov\u00e1z\u00ed v\u00fdrazn\u00e9 talenty z \u0159ad mlad\u00fdch interpret\u016f celkem pravideln\u011b a v roce 2000 dokonce v r\u00e1mci sv\u00e9ho z\u00e1jezdu do USA p\u0159edstavil klav\u00edristu Jana Barto\u0161e, dirigentem byl tehdy zku\u0161en\u00fd Tom\u00e1\u0161 Koutn\u00edk. Se za\u010d\u00ednaj\u00edc\u00edmi s\u00f3listy se \u010dasto potk\u00e1v\u00e1 na nejr\u016fzn\u011bj\u0161\u00edch festivalech, zv\u00e1n je i na abonentn\u00ed koncerty do sv\u00e9 dom\u00e1c\u00ed Sukovy s\u00edn\u011b Domu hudby. Zat\u00edm se v\u0161ak nestalo, aby program jedin\u00e9ho ve\u010dera \u2013 a nutno podotknout, \u017ee beznad\u011bjn\u011b vyprodan\u00e9ho \u2013 naplnili hned t\u0159i protagonist\u00e9 spojen\u00ed se \u0161kolou na Malostransk\u00e9m n\u00e1m\u011bst\u00ed v Praze. \u0160lo o houslistku Ter\u00e9zii Hled\u00edkovou, klav\u00edristu Maty\u00e1\u0161e Nov\u00e1ka<\/strong> a dirigenta Zde\u0148ka \u010cervinku.<\/p>\n\n\n\n

Po\u0159adatel\u00e9 ve\u010der nazvali \u201eTi nejlep\u0161\u00ed z HAMU\u201c. N\u00e1zev se m\u016f\u017ee jevit pon\u011bkud o\u0161idn\u00fdm, v\u017edy\u0165 vynikaj\u00edc\u00edch talent\u016f studuje na t\u00e9to \u0161kole ur\u010dit\u011b v\u00edce; v\u011b\u0159me, \u017ee zvolen\u00fd superlativ m\u011bl p\u0159edev\u0161\u00edm zd\u016fraznit, \u017ee v\u0161ichni t\u0159i v\u00fd\u0161e jmenov\u00e1n\u00ed mlad\u00ed um\u011blci ji\u017e maj\u00ed za sebou cenn\u00e9 a neoddiskutovateln\u00e9 \u00fasp\u011bchy na dom\u00e1c\u00edch i zahrani\u010dn\u00edch p\u00f3di\u00edch, a tedy i zku\u0161enosti v jejich v\u011bku p\u0159ece jen nadstandardn\u00ed.<\/p>\n\n\n\n

Ter\u00e9zii Hled\u00edkov\u00e9 je letos p\u011btadvacet let. S houslemi se potkala, kdy\u017e j\u00ed bylo sedm, a studovala nejprve na bratislavsk\u00e9 konzervato\u0159i, odkud p\u0159estoupila na \u0161kolu stejn\u00e9ho typu do Prahy. Tam se j\u00ed ujal Jind\u0159ich Pazdera a v jeho t\u0159\u00edd\u011b je zaps\u00e1na i na HAMU. Jej\u00ed dosavadn\u00ed dr\u00e1hu lemuj\u00ed setk\u00e1n\u00ed s osobnostmi, jak\u00fdmi byli a jsou Ilya Gringolts, Vadim Gluzman, Midori Got\u014d, Josef \u0160pa\u010dek, Jan Fi\u0161er, Dalibor Karvay, Alexandra Soumm, Mat\u011bj Arend\u00e1rik, V\u00e1clav Hude\u010dek \u010di Leo\u0161 Sv\u00e1rovsk\u00fd. Koncertuje \u010dasto a r\u00e1da na Slovensku i v \u010cesku, sly\u0161eli ji poslucha\u010di mimo jin\u00e9 v Lucembursku, N\u011bmecku a Rakousku. C\u00edle si klade nemal\u00e9 \u2013 p\u0159ij\u00edmac\u00ed zkou\u0161ky slo\u017eila na Manhattan School of Music, Mannes School of Music a San Francisco Conservatory of Music.<\/p>\n\n\n\n

Pro vystoupen\u00ed v Pardubic\u00edch zvolila Koncert pro housle a orchestr D dur, op. 61 Ludwiga van Beethovena. Pokud bychom m\u011bli k dispozici pouh\u00e1 t\u0159i slova, napsali bychom: P\u0159i\u0161la, zahr\u00e1la, zv\u00edt\u011bzila. Ve stru\u010dn\u00e9m konstatov\u00e1n\u00ed by bylo obsa\u017eeno v\u0161echno. Mlad\u00e1 interpretka si toti\u017e auditorium podmanila od prvn\u00edch t\u00f3n\u016f, jimi\u017e se sv\u00fdm n\u00e1strojem nav\u00e1zala na orchestr\u00e1ln\u00ed \u00favod skladby. Nen\u00e1padn\u011b, jak p\u0159edeps\u00e1no autorem, ale p\u0159esn\u011b a d\u016frazn\u011b. Jej\u00ed housle zn\u011bly v Beethovenov\u011b mimo\u0159\u00e1dn\u011b zp\u011bvn\u00e9m a melodicky i harmonicky propracovan\u00e9m opusu se z\u00e1\u0159ivou \u010distotou a pozoruhodnou silou. Interpretka se nesna\u017e\u00ed o lacin\u00e1 gesta, hraje soust\u0159ed\u011bn\u011b a rozv\u00e1\u017en\u011b, jednotliv\u00e1 t\u00e9mata zvl\u00e1d\u00e1 se suver\u00e9nn\u00ed virtuozitou. V obt\u00ed\u017en\u00e9 kadenci v z\u00e1v\u011bru prvn\u00ed v\u011bty nejprve ohrom\u00ed hlubok\u00fdm ponorem do autorova my\u0161lenkov\u00e9ho sv\u011bta, aby z n\u011bj posl\u00e9ze d\u016fmysln\u011b vyt\u011b\u017eila a\u017e omamuj\u00edc\u00ed vy\u00fast\u011bn\u00ed. T\u011b\u017eko \u0159\u00edci, zda hr\u00e1\u010dce v\u00edce vyhovuje intimn\u011bj\u0161\u00ed poloha druh\u00e9 v\u011bty d\u00edla, nebo radostn\u00fd gejz\u00edr t\u00e9 t\u0159et\u00ed, oboj\u00ed zvl\u00e1d\u00e1 bravurn\u011b. Publikum samoz\u0159ejm\u011b ne\u0161et\u0159ilo potleskem.<\/p>\n\n\n\n

P\u011btadvacetilet\u00fd klav\u00edrista Maty\u00e1\u0161 Nov\u00e1k m\u016f\u017ee Pardubice pova\u017eovat za sv\u00e9 tak\u0159ka domovsk\u00e9 m\u00edsto, a\u010d se v\u017edy hrd\u011b hl\u00e1s\u00ed k bl\u00edzk\u00e9mu Hradci Kr\u00e1lov\u00e9. V\u017edy\u0165 tam absolvoval konzervato\u0159 pod veden\u00edm Jitky Fowler Fra\u0148kov\u00e9, v pardubick\u00e9 Sukov\u011b s\u00edni hr\u00e1val coby student mnohokr\u00e1t a odtud pot\u00e9 zam\u00ed\u0159il na HAMU do t\u0159\u00eddy Ivana Kl\u00e1nsk\u00e9ho. Tak\u00e9 on poznal kus sv\u011bta: p\u0159ivezl si ocen\u011bn\u00ed z \u0159ady sout\u011b\u017e\u00ed (z Kypru, Norska \u010di \u0160pan\u011blska), koncertoval v USA a v \u010c\u00edn\u011b. Hudbymilovn\u00e1 ve\u0159ejnost ve v\u00fdchodn\u00edch \u010cech\u00e1ch si jeho talentu pova\u017euje a vystoupen\u00ed mlad\u00e9ho s\u00f3listy s orchestry i ta recit\u00e1lov\u00e1 pat\u0159\u00ed k nejhojn\u011bji nav\u0161t\u011bvovan\u00fdm.<\/p>\n\n\n\n

I tentokr\u00e1t, v Koncertu pro klav\u00edr a orchestr \u010d. 2 B dur, op. 83 Johannesa Brahmse, prok\u00e1zal mlad\u00fd hr\u00e1\u010d to, co b\u00fdv\u00e1 p\u0159i jeho vystoupen\u00edch nejcenn\u011bj\u0161\u00ed \u2013 absolutn\u00ed odevzd\u00e1n\u00ed se hudb\u011b, bezb\u0159ehou empatii a pokoru. K jeho technice nelze m\u00edt sebemen\u0161\u00ed p\u0159ipom\u00ednku, fam\u00f3zn\u00ed zvl\u00e1d\u00e1n\u00ed n\u00e1stroje vych\u00e1z\u00ed z neuv\u011b\u0159iteln\u00e9ho talentu i z toho, co mu p\u0159ed\u00e1vali jeho mistrov\u0161t\u00ed \u0161kolitel\u00e9. Kdy\u017e se \u010dlov\u011bk zaposlouch\u00e1 do \u00favodn\u00edho krati\u010dk\u00e9ho dialogu klav\u00edru s lesn\u00edm rohem, vytu\u0161\u00ed, \u017ee bude sv\u011bdkem n\u011b\u010deho \u00fachvatn\u00e9ho. A hr\u00e1\u010d se v Brahmsov\u011b rozm\u00e1chl\u00e9 romantick\u00e9 skladb\u011b skute\u010dn\u011b dost\u00e1v\u00e1 do varu velkolep\u00fdm zp\u016fsobem. V\u0161ak m\u00e1 tak\u00e9 n\u011bco za sebou: ty stovky a\u017e tis\u00edce hodin v\u011bnovan\u00fdch mimo jin\u00e9 Lisztovi, jeho\u017e Maty\u00e1\u0161 Nov\u00e1k v\u017edy stav\u011bl do pop\u0159ed\u00ed, jsou zn\u00e1t. Interpret ned\u00e1 poslucha\u010di t\u00e9m\u011b\u0159 pades\u00e1t minut ani vydechnout, sledovat jeho v\u00fdkon je z\u00e1\u017eitkem. A Sukova s\u00ed\u0148 se op\u011bt rozbou\u0159ila up\u0159\u00edmn\u00fdm aplausem.<\/p>\n\n\n\n

Pom\u011brn\u011b silnou generaci mlad\u00fdch \u010desk\u00fdch dirigent\u016f by mohl brzy obohatit Zden\u011bk \u010cervinka, jen\u017e si na stup\u00ednku p\u0159ed Komorn\u00ed filharmoni\u00ed Pardubice v ni\u010dem nezadal se sv\u00fdmi star\u0161\u00edmi kolegy. Jemu je p\u0159itom letos \u010dty\u0159iadvacet let. Na pra\u017esk\u00e9 Konzervato\u0159i Jaroslava Je\u017eka absolvoval v oborech klav\u00edr a dirigov\u00e1n\u00ed, ten druh\u00fd te\u010f rozv\u00edj\u00ed na HAMU pod veden\u00edm Tom\u00e1\u0161e Koutn\u00edka, Leo\u0161e Sv\u00e1rovsk\u00e9ho a Luk\u00e1\u0161e Vasilka. Od ka\u017ed\u00e9ho z nich si bere to nejlep\u0161\u00ed, neskr\u00fdv\u00e1 smysl pro po\u0159\u00e1dek ani pat\u0159i\u010dn\u00e1 gesta, i kdy\u017e celkov\u011b p\u016fsob\u00ed velmi vyrovnan\u011b. Orchestr\u00e1ln\u00ed party obou skladeb ve\u010dera p\u016fsobily pod jeho veden\u00edm vyrovnan\u011b, pokyny s\u00f3list\u016fm vzorn\u011b. I v jeho p\u0159\u00edpad\u011b je patrn\u00e1 zku\u0161enost, dokonce i z divadeln\u00edho prost\u0159ed\u00ed. Nutno uznat, \u017ee \u010dlenov\u00e9 pardubick\u00e9 filharmonie jsou v tomto ohledu pov\u011bstn\u011b empati\u010dt\u00ed, r\u00e1di spolupracuj\u00ed s mlad\u00fdmi dirigenty a nech\u00e1vaj\u00ed je, aby si sami vytv\u00e1\u0159eli pot\u0159ebn\u00fd prostor, jemu\u017e se ochotn\u011b pod\u0159izuj\u00ed. Se Zde\u0148kem \u010cervinkou si \u2013 soud\u011b podle pohodov\u00e9 atmosf\u00e9ry v s\u00e1le \u2013 dozajista porozum\u011bli.<\/p>\n\n\n\n

Pardubick\u00fd ve\u010der lze tedy jen pozitivn\u011b kvitovat, a to a\u0165 na n\u011bj nahl\u00ed\u017e\u00edme z jak\u00e9hokoliv \u00fahlu. P\u0159inesl nejen mo\u017enost vyslechnout si dv\u011b v\u00fdznamn\u00e1 d\u00edla z\u00e1kladn\u00edho hudebn\u00edho reperto\u00e1ru, ale p\u0159edev\u0161\u00edm setk\u00e1n\u00ed s nad\u011bjn\u00fdmi mlad\u00fdmi osobnostmi, je\u017e se svou energi\u00ed brzy samostatn\u011b vstoup\u00ed do nelehk\u00e9ho sv\u011bta \u0161pi\u010dkov\u00e9ho interpreta\u010dn\u00edho um\u011bn\u00ed. P\u0159edpoklady k \u00fasp\u011bchu maj\u00ed a \u0161kola, na n\u00ed\u017e v dohledn\u00e9 dob\u011b ukon\u010d\u00ed sv\u00e1 studia, je pomohla zd\u00e1rn\u011b rozvinout. Ur\u010dit\u011b je dobr\u00e9 to v\u011bd\u011bt.<\/p>\n\n\n\n

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Foto: Komorn\u00ed filharmonie Pardubice \/ Franti\u0161ek Renza<\/p>\n\n\n\n

Zdroj: https:\/\/www.klasikaplus.cz\/42985-2\/<\/a><\/a><\/p>\n\n\n\n

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