{"id":4127,"date":"2023-05-25T14:30:00","date_gmt":"2023-05-25T12:30:00","guid":{"rendered":"https:\/\/www.matyasnovak.eu\/?post_type=aktuality&p=4127"},"modified":"2023-06-12T14:32:42","modified_gmt":"2023-06-12T12:32:42","slug":"matyas-novak-a-franz-liszt-v-anezskem-klastere","status":"publish","type":"aktuality","link":"http:\/\/www.matyasnovak.eu\/en\/aktuality\/matyas-novak-a-franz-liszt-v-anezskem-klastere\/","title":{"rendered":"Maty\u00e1\u0161 Nov\u00e1k a Franz Liszt v Ane\u017esk\u00e9m kl\u00e1\u0161te\u0159e"},"content":{"rendered":"

Prostory Ane\u017esk\u00e9ho kl\u00e1\u0161tera, kter\u00e9 host\u00ed cyklus klav\u00edrn\u00edch recit\u00e1l\u016f Hybatel\u00e9 rezonance, svou atmosf\u00e9rou \u00fa\u010dinek jednotliv\u00fdch vystoupen\u00ed je\u0161t\u011b umoc\u0148uj\u00ed. Posledn\u00edm koncertem sez\u00f3ny 2022\/2023 byl v pond\u011bl\u00ed 29. kv\u011btna 2023 recit\u00e1l \u010dty\u0159iadvacetilet\u00e9ho \u010desk\u00e9ho klav\u00edristy Maty\u00e1\u0161e Nov\u00e1ka. Poslucha\u010di m\u011bli mo\u017enost v jeho pod\u00e1n\u00ed sly\u0161et jak p\u016fvodn\u00ed Lisztovy skladby, tak Lisztovy transkripce p\u00edsn\u00ed Franze Schuberta.<\/strong><\/p>\n\n\n\n

Franz Liszt<\/strong> pat\u0159\u00ed mezi obl\u00edben\u00e9 autory Maty\u00e1\u0161e Nov\u00e1ka<\/strong>, klav\u00edristy, kter\u00fd za sebou m\u00e1 nap\u0159\u00edklad vystoupen\u00ed v newyorsk\u00e9 Carnegie Hall (2017). D\u00edla Franze Liszta byla pro tento koncert vybr\u00e1na s velkou pe\u010dlivost\u00ed a d\u00edky tomu byla Lisztova hudba p\u0159edstavena v \u00fapln\u011b jin\u00e9m sv\u011btle, ne\u017e jak ji mo\u017en\u00e1 zn\u00e1me z absolventsk\u00fdch koncert\u016f na konzervato\u0159\u00edch a akademi\u00edch. Pokud byl je\u0161t\u011b n\u011bkdo z poslucha\u010d\u016f zat\u00ed\u017een n\u00e1zorem, \u017ee v\u0161echna Lisztova hudba je pln\u00e1 prvopl\u00e1nov\u00e9 virtuozity, m\u011bl mo\u017enost tento sv\u016fj pohled p\u0159ehodnotit.<\/p>\n\n\n\n

\u201eSkladby interpretoval tak prost\u011b, jako by na sv\u011bt\u011b nebylo nic jednodu\u0161\u0161\u00edho, v p\u0159esn\u00e9m vybalancov\u00e1n\u00ed mezi p\u0159ehlednost\u00ed hudebn\u00edch my\u0161lenek, vyu\u017eit\u00edm v\u00fdrazov\u00fdch a technick\u00fdch prost\u0159edk\u016f a pro\u017eitkem.\u201c<\/em><\/p>\n\n\n\n

\u201eV\u011b\u0159\u00edm, \u017ee jsem nebyla sama, koho v s\u00e1le Lisztova hudba v pod\u00e1n\u00ed Maty\u00e1\u0161e Nov\u00e1ka okouzlila zp\u016fsobem, \u017ee si ji je\u0161t\u011b n\u011bjakou chv\u00edli po dozn\u011bn\u00ed prvn\u00ed poloviny s\u00e1m v sob\u011b vychutn\u00e1val.\u201c<\/em><\/p>\n\n\n\n

\u201ePo tolika v\u00fdrazov\u00fdch poloh\u00e1ch, kter\u00e9 Maty\u00e1\u0161 Nov\u00e1k pou\u017eil v Lisztov\u00fdch skladb\u00e1ch, bych byla b\u00fdvala \u010dekala vyu\u017eit\u00ed t\u011bchto prost\u0159edk\u016f i pro Chopinovu skladbu, ale \u017ee mlad\u00fd pianista dok\u00e1\u017ee Chopin\u016fv hudebn\u00ed rukopis z\u0159eteln\u011b odli\u0161it, to jsem si ani ve sv\u00fdch nejodv\u00e1\u017en\u011bj\u0161\u00edch sluchov\u00fdch fantazi\u00edch nedok\u00e1zala p\u0159edstavit.\u201c<\/em><\/p>\n\n\n\n

Za\u010d\u00e1tek koncertu pat\u0159il pr\u00e1v\u011b Lisztov\u00fdm transkripc\u00edm \u0161esti Schubertov\u00fdch<\/strong> p\u00edsn\u00ed z cyklu Schwanengesang, S. 560<\/em> (Labut\u00ed zp\u011bv<\/em>). Maty\u00e1\u0161 Nov\u00e1k p\u0159ednesl \u010d\u00e1sti s n\u00e1zvy Pobyt<\/em>, Z d\u00e1lky<\/em>, Zastaven\u00ed\u010dko<\/em>, Jej\u00ed obraz<\/em>, Jarn\u00ed tou\u017een\u00ed<\/em> a Poselstv\u00ed l\u00e1sky<\/em>. Hudba v pod\u00e1n\u00ed Maty\u00e1\u0161e Nov\u00e1ka byla zcela srozumiteln\u00e1, pln\u00e1 \u017eivota, ale nikoliv patosu. (I poslouchat zvuk klav\u00edru zna\u010dky C. Bechstein D 282 bylo osv\u011b\u017euj\u00edc\u00ed.) P\u0159ed poslucha\u010di jako by vyvst\u00e1vala melodie, harmonie, akordick\u00e1 a stupnicov\u00e1 technika ve sv\u00fdch vlastn\u00edch paraleln\u00edch sv\u011btech, kter\u00e9 nemaj\u00ed nic spole\u010dn\u00e9ho. Bylo z\u0159ejm\u00e9, \u017ee mlad\u00fd pianista struktu\u0159e skladeb velmi dob\u0159e rozum\u011bl a nejen to; \u017ee ji dok\u00e1zal i pro\u017e\u00edt. Skladby interpretoval tak prost\u011b, jako by na sv\u011bt\u011b nebylo nic jednodu\u0161\u0161\u00edho, v dokonal\u00e9m, ale nen\u00e1siln\u00e9m soust\u0159ed\u011bn\u00ed, v p\u0159esn\u00e9m vybalancov\u00e1n\u00ed mezi p\u0159ehlednost\u00ed hudebn\u00edch my\u0161lenek, vyu\u017eit\u00edm v\u00fdrazov\u00fdch a technick\u00fdch prost\u0159edk\u016f a pro\u017eitkem. Liszt zazn\u00edval v pestr\u00e9 palet\u011b zvukov\u00fdch barev, tak\u00e9 v temn\u011bj\u0161\u00edch a dramati\u010dt\u011bj\u0161\u00edch odst\u00ednech. Projev byl kultivovan\u00fd, ale v \u017e\u00e1dn\u00e9m p\u0159\u00edpad\u011b ne monot\u00f3nn\u00ed.<\/p>\n\n\n\n

P\u0159edev\u0161\u00edm v druh\u00e9 skladb\u011b ve\u010dera, Fantasia Quasi Sonata: Po \u010detb\u011b Danta<\/em> z cyklu L\u00e9ta putov\u00e1n\u00ed II., S. 161<\/em> se mi zd\u00e1lo, jako by Maty\u00e1\u0161 Nov\u00e1k svou hudbou vypr\u00e1v\u011bl. Mo\u017en\u00e1 proto, \u017ee Liszt se p\u0159i komponov\u00e1n\u00ed inspiroval Dantovou<\/strong> Bo\u017eskou komedi\u00ed<\/em>, ale i pokud by skladba samotn\u00e1 skute\u010dn\u011b obsahovala program-p\u0159\u00edb\u011bh, bez pochopen\u00ed a emocion\u00e1ln\u00edho zapojen\u00ed interpreta by se t\u011b\u017eko poda\u0159ilo cokoliv z \u201ed\u011bje\u201c \u010di obsahu skladby p\u0159en\u00e9st na poslucha\u010de. Takhle jsem m\u011bla pocit, \u017ee jsem na proch\u00e1zce hudebn\u00ed krajinou, kdy m\u00edsto v\u011btv\u00ed strom\u016f a potok\u016f jsou stupnicov\u00e9 pas\u00e1\u017ee a rozlo\u017een\u00e9 akordy, m\u00edsto skal akordov\u00e9 bloky, m\u00edsto rozkl\u00e1daj\u00edc\u00edch se horizont\u016f pe\u010dliv\u011b veden\u00e1 basov\u00e1 linie. Vzru\u0161uj\u00edc\u00ed a sou\u010dasn\u011b uklid\u0148uj\u00edc\u00ed cesta hudebn\u00ed krajinou s pocitem p\u0159\u00edjemn\u00e9ho a osv\u011b\u017euj\u00edc\u00edho v\u00e1nku ve tv\u00e1\u0159i v podob\u011b subtiln\u011b cinkaj\u00edc\u00edch not v diskantu klav\u00edru byla ob\u010das p\u0159eru\u0161ena dramati\u010dt\u011bj\u0161\u00ed \u010d\u00e1st\u00ed skladby z\u00e1va\u017en\u011bj\u0161\u00edho v\u00fdznamu, ve kter\u00e9 jakoby se u\u017e nejednalo o proch\u00e1zku hudebn\u00ed krajinou, n\u00fdbr\u017e v\u00fdlet do hloubek lidsk\u00e9ho \u017eivota samotn\u00e9ho.<\/p>\n\n\n\n

Po tak p\u016fsobiv\u00e9m v\u00fdlet\u011b do hudebn\u00edho sv\u011bta, literatury, lidsk\u00e9 du\u0161e a dal\u0161\u00edch z\u00e1kout\u00ed \u017eivota se ani nehodil aplaus ve velk\u00e9m stylu. Odm\u011bnou klav\u00edristovi byl kultivovan\u00fd potlesk, kter\u00fd jako by byl sou\u010d\u00e1st\u00ed kompozice \u2013 v podob\u011b prozaick\u00e9 te\u010dky \u201ea \u017eili spolu \u0161\u0165astn\u011b a\u017e do smrti.\u201c V\u011b\u0159\u00edm, \u017ee jsem nebyla sama, koho v s\u00e1le Lisztova hudba v pod\u00e1n\u00ed Maty\u00e1\u0161e Nov\u00e1ka okouzlila zp\u016fsobem, \u017ee si ji je\u0161t\u011b n\u011bjakou chv\u00edli po dozn\u011bn\u00ed prvn\u00ed poloviny koncertu s\u00e1m v sob\u011b vychutn\u00e1val.<\/p>\n\n\n\n

V druh\u00e9 polovin\u011b koncertu na poslucha\u010de \u010dekaly t\u0159i \u201ekrat\u0161\u00ed\u201c skladby \u2013 P\u00edse\u0148 l\u00e1sky \u010d. 10<\/em> z cyklu Poetick\u00e9 a n\u00e1bo\u017eensk\u00e9 harmonie<\/em>, S. 173<\/em>, Balada \u010d. 1 Des dur<\/em>, S. 170<\/em> a Balada \u010d. 2 h moll, S. 171<\/em>. Slovo \u201ekrat\u0161\u00ed\u201c je v uvozovk\u00e1ch, proto\u017ee druh\u00e1 polovina koncertu pocitov\u011b utekla velmi rychle a d\u0159\u00edv, ne\u017e jsem se stihla zasn\u00edt a rozposlouchat, byl konec, to ale bez pocitu, \u017ee jsem byla o n\u011bco ochuzena. Nejen slo\u017een\u00ed programu, ale i jeho d\u00e9lka mohla b\u00fdt jen t\u011b\u017eko zvolena l\u00e9pe.<\/p>\n\n\n\n

Hudba op\u011bt plynula v naprost\u00e9 samaz\u0159ejmosti a p\u0159irozenosti za sou\u010dasn\u00e9ho vysti\u017een\u00ed v\u0161ech zvukov\u00fdch a v\u00fdrazov\u00fdch odst\u00edn\u016f. Liszt se n\u00e1m za pomoci Maty\u00e1\u0161e Nov\u00e1ka p\u0159edstavil jako \u010dlov\u011bk bohat\u00e9ho vnit\u0159n\u00edho \u017eivota, nechyb\u011bla hravost, vitalita, radost, lehkost. Virtuozita (a\u010dkoliv byla p\u0159\u00edtomn\u00e1) zdaleka nebyla dominuj\u00edc\u00edm prvkem, to u\u017e daleko v\u00edce \u017eivot ve v\u0161ech jeho odst\u00ednech a barv\u00e1ch. Maty\u00e1\u0161 Nov\u00e1k svou interpreta\u010dn\u00ed jistotou a p\u0159esnost\u00ed vyzn\u011bn\u00ed skladeb v\u016fbec nic neubral, ale ani nep\u0159idal n\u011bco nepat\u0159i\u010dn\u00e9ho.<\/p>\n\n\n\n

Velk\u00fdm p\u0159ekvapen\u00edm od tohoto mlad\u00e9ho interpreta pro m\u011b bylo jeho pojet\u00ed Chopinova<\/strong> Nokturna Des dur, op. 27 \u010d. 2<\/em>, kter\u00e9 zazn\u011blo jako p\u0159\u00eddavek. Po tolika v\u00fdrazov\u00fdch poloh\u00e1ch, kter\u00e9 Maty\u00e1\u0161 Nov\u00e1k pou\u017eil v Lisztov\u00fdch skladb\u00e1ch, bych byla b\u00fdvala \u010dekala vyu\u017eit\u00ed t\u011bchto prost\u0159edk\u016f i pro Chopinovu skladbu a z koncertu ode\u0161la spokojena. Ale \u017ee se poda\u0159\u00ed v dokonalosti p\u0159edstavit Chopina jako introvertn\u011bj\u0161\u00edho hudebn\u00edka a \u017ee Maty\u00e1\u0161 Nov\u00e1k dok\u00e1\u017ee Chopin\u016fv hudebn\u00ed rukopis z\u0159eteln\u011b odli\u0161it, to jsem si ani ve sv\u00fdch nejodv\u00e1\u017en\u011bj\u0161\u00edch sluchov\u00fdch fantazi\u00edch nedok\u00e1zala p\u0159edstavit. Kdyby mohla hudba t\u00e9ci, esence Chopinovy hudby by se k poslucha\u010d\u016fm dostala skrz prostory s\u00e1lu jako nektar p\u0159\u00edmo z kv\u011bt\u016f. Byl to tedy z\u00e1\u017eitek velmi poetick\u00fd, v p\u016fsobiv\u00e9m prost\u0159ed\u00ed, d\u016fstojn\u00fd, kultivovan\u00fd a se mnou je\u0161t\u011b dlouho rezonuj\u00edc\u00ed.<\/p>\n\n\n\n

Hybateli rezonance p\u0159\u00ed\u0161t\u00edho ro\u010dn\u00edku budou\u00a0Jan Barto\u0161<\/strong>,\u00a0Jitka \u010cechov\u00e1<\/strong>, jazzov\u00fd pianista\u00a0V\u00edt K\u0159i\u0161\u0165an<\/strong>\u00a0a cyklus klav\u00edrn\u00edch recit\u00e1l\u016f 2023\/2024 uzav\u0159e\u00a0Ivo Kah\u00e1nek<\/strong>.<\/p>\n\n\n\n

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Posledn\u00edm koncertem sez\u00f3ny 2022\/2023 byl v pond\u011bl\u00ed 29. kv\u011btna 2023 recit\u00e1l \u010dty\u0159iadvacetilet\u00e9ho \u010desk\u00e9ho klav\u00edristy Maty\u00e1\u0161e Nov\u00e1ka. Poslucha\u010di m\u011bli mo\u017enost v jeho pod\u00e1n\u00ed sly\u0161et jak p\u016fvodn\u00ed Lisztovy skladby, tak Lisztovy transkripce p\u00edsn\u00ed Franze Schuberta. 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